Can’t we talk
Set it right
Can’t we talk
Anymore
All this time
Only you
Nothing more
All this time
It looks like
You won’t be staying round
Given the time
And your mood
You look a lot like her
And you look so like
You won’t be staying around
Here in this half light
You look a lot like her
Is it all
Lost and gone
Could you give
Me some room
Room to be
Room to heal
Worth as much
You will be
It looks like
You won’t be staying round
Given the time
And your mood
You look a lot like her
And you look so like
You won’t be staying around
Here in this half light
You look a lot like her
You decide
What I meant
What is right
You decide
Please believe
I will be
Here for you
I will be
It looks like
You won’t be staying round
Given the time
And your mood
You look a lot like her
And you look so like
You won’t be staying around
Here in this half light
You look a lot like her
(x3)
__________________________________________________
ive heard this song somewhere on one of the episodes of CSI "play with fire", and the song just hit me. I liked it. Sometimes i love songs who have uncomprehensible lyrics, like it means anything at all..but actually it means nothing, i like it more..it gets more interesting. i love the chorus. ive been listening to it over and over. i think its sounds more relaxing to be played at night when ur out and just walking...i probably should try to download an album of it...... i only have one song, and it took a lot of queries to search before i got it.
" Mandalay " biography....
Ex-Thieves instrumentalist Saul Freeman aimed for his own dream-pop aesthetic when he placed an ad in the now defunct music weekly, Melody Maker. He had already worked with David McAlmont, but wanted his own creative outlet. Searching for an ethereal voice similar to the likes of the Cocteau Twins' Elizabeth Fraser and Shara Nelson (Massive Attack, Presence), solo artist Nicola Hitchcock ended Freeman's search when answering his request. The two instantly clicked, for Hitchcock also had a debut album under her belt and the two formed Mandalay in the mid-nineties. Incorporating trip-hop loops similar to Portishead and Hitchcock's vocal perfections, the duo earned props throughout the latter part of the decade in their native U.K., specifically with the albums Empathy and Instinct. Madonna even called Mandalay her new favorite band in fall 2000. Mandalay had signed to V2 by mid-2000 and prepped for their stateside major-label release, Solace, in spring 2001.
~ MacKenzie Wilson, All Music Guide
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